I’ve reached the part of Turco’s book which introduces the Sapphic line and the Sapphic stanza5, and because I want to actually learn the material in the book, as opposed to just digesting it, I’ll be spending at least a few days taking winky-nibbed stabs at Sapphic stanzas.
If you’re reading this, I hope you’ll forgive me.
I’m comfortable with iambs6. Trochees7 and dactyls8 feel awkward and weird. “da-DA-da-DA-da-DA-da-DA-da-DA”9 makes perfect sense to me. “DA-da-DA-da-DA-da-da-WTF-DA-da-Da-da” not so much. (That “WTF” always, always follows the dactyl. Always.) My archetypal drummer keeps dropping her sticks, and I don’t particularly like the sound of it.
But I do like that fountain pen!
And, since the pen was in my hand when I started writing…
Kaküno Sapphic Stanza
Fountain flows of ebony staining paper
Winking, smiling up from its steely shoulders
Lilac, white and metal in pudgy fingers
Here’s to the concept that practice makes… well, at least better.